TEXAS
FOLKI.D'E
FESIIVAL
t last count there were more than 500
festivals, fairs and fiestas in Texas every year.
There is, however, only one Texas Folklife
Festival. It's the biggest and best because you­and
the 6,000 volunteers who stage it-make it
so.
The Folklife Festival is a unique extension of
L,.._ _____ _, The University of Texas Institute of Texan
Cultures. Its purpose is to present Texans as they really are-a
diverse, dispersed array of nationalities and cultural groups
who settled and developed the state.
Texas is a kind of United Nations, peopled by settlers from
more than 30 countries. Here you ·u meet them as they practice
the handicrafts brought from their homelands. join them in their
native dances and enjoy foods as old as the nationalities they
represent.
The Folklife Festival, like The Institute of Texan Cultures, is
something to experience ... to savor ... to repeat. Some come in,
stay awhile and come back again. You'll discover the real
Texas at a Festival which really is a family reunion of an entire
state.
Cordially,
g~r~ >}l~
Executive Director
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AMBASSADORS
We have Ambassadors around the
state who help publicize the
Festival in their communities by
distributing posters and
brochures, making speeches, and
encouraging their local media to
use our stories and public service
announcements. They also act as
talent scouts seeking authentic
performers and craftsmen for
participants.
Mr. & Mrs. Jack Fleming, Nederland
John R. Foster, Del Rio
Lawrence J. Francell, Wichita Falls
Sam Gerald, Harlingen
Gibby Gerdes, Hallettsville
Mrs. Alice K. Gerfers, Boerne
Mrs. Jack E. Gingrich, Seguin
Mrs. Harry Gray, Lake Dallas
Mrs. Sarah Greene, Gilmer
Arnold Griffin, Devine
William C. Griggs, Canyon
Mrs. William T. Gunn, Austin
Dr. S. L. Abbott, El Paso
Mrs. Lem Allen, Luling
Mrs. Joe C. Hanna, Breckenridge
Clovis Heimsath, Fayetteville
Mr. & Mrs. Yancey Barnhart, Pearsall
John Barnhill, Jr., Brenham
Mr. & Mrs. John Henderson, Lufkin
G. P. Herndon, Jr., Bastrop
John Herring, Van Horn
Mrs. Lewis Bracy, Uvalde
Mrs. Bob Brinkerhoff, Houston
Mrs. Robert G. Campbell
South Padre Island
Bill Clark, Nacogdoches
Mrs. B. H. Jones, Odessa
Rev. Jack Monte Jones, Snyder
Tom Joseph, Hamilton
Mr.& Mrs. Hubbard Colley,Jr.,Vernon
Roger Conger, Waco
Edward J. Kadlecek, New Braunfels
Mrs. Don Kaspar, Shiner
Raymond Keasler, Denton
Mr. & Mrs. Ted LaCaff, Jr.
Mark Connally, Floresville
Mrs. Jim Copeland, Ballinger
Ms. Rose M. Crowell, Bandera
John H. Cypher, Jr., Kingsville
Mrs. Mattie Dellinger, Center
John E. Dudley, Comanche
Robert J. Duncan, Mesquite
Mrs. Ernest Elbert, Fort Worth
Mrs. Hilde Faulkner, Coldspring
Midland
Burnis Lawrence, Hondo
Sam A. Maglitto, Bay City
Mrs. Catherine Mason, Killeen
Mrs. Edward M. Moran, Sr.
- Wichita Falls
Nick A. Morris, Temple
Mrs. Betty Rhea Moxley, Lubbock
Mrs. W. Ben Munson, IV, Denison
STEERING COMMITI'EE
Richard 0. Arneson,
Chairman
Vice-President
Rauscher Pierce
Securities Corp.
Martin Casey,
Co-Chairman
Executive Vice-President
Forest Oil Company
Michael Balint
Executive Director
Minnie Stevens Piper
Foundation
Bradford R. Breuer
Vice-President
Alamo National Bank
Lt. General Allen M. Burdett, Jr.
USA (Ret.)
Lt. General William B. Caldwell, III
Commander
Fifth U.S. Army
Fort Sam Houston
Ed Cheviot
Vice-President
KMOL-TV
James R. Dublin
Manager
San Antonio Office
Manning, Selvage & Lee
Dick Evans
Executive Vice-President
Frost National Bank
Doyle Fellers
President
William Lacy Co.
Mrs. Jay Folbre
Marketing Management
Consultant
Roane Harwood
Real Estate Investments
Mrs. Joyce Haywood
Title I Monitor
San Antonio Independent
School District
Leo C. Hearn
President
Universal Bookbindery. Inc.
Dr. Robert Hilliard
Physician
John C. Holmgreen
Chairman of the Board
Alamo Iron Works
Mrs. Blair Labatt
Civic Leader
Sam Maclin
President
Russ Securities Corp.
Conrad Netting
Conrad Netting and Co.
Certified
Public Accountants
Jack Newman
Promotions Director
San Antonio Light
Henry Nussbaum
Director
San Antonio Convention
and Visitors Bureau
Mrs. William Ochse
Civic Leader
Lawrence J. Raba
Cerna. Garza. Raba Inc.
Architects
General John W. Roberts
USAF (Ret.)
Charles Sawtelle
Insurance
J. Burleson Smith
Cox, Smith. Smith,
Hale and Guenther
Ben L. Parker, Pleasanton
Paul Patterson, Crane
Herb Petry, Carrizo Springs
Mrs. Hiram Phillips, San Angelo
Mrs. Jimmie Picquet, Kingsville
Cyril! Sid Pokladnik, Dallas
Tom Purdum, New Braunfels
Mrs. Ralph Randel, Panhandle
Ms. Claudia Robinson, Dallas
R. E. "Scotty" Scott, Houston
Chris Victor Semos, Dallas
John Ben Shepperd, Odessa
Mrs. D. J. Sibley, Austin
Calvin Smith, Beaumont
Mrs. Josephine Sparks, Corpus Christi
Mrs. Jack Stovall, San Marcos
Mrs. Charles B. Suehs, Castroville
Mr. & Mrs.Alvin Sueltenfuss, Boerne
Mrs. Harold Talbot, Big Spring
Mrs. John D. Taylor, Seguin
Robert H. Thonhoff, Fashing
Mrs. Jack Timon, Beeville
Dr. Robert T. Trotter, II, Edinburg
Mrs. Ross Vick, Waco
Mrs. H. H. Vollentine, Gonzales
W. Duke Walser, Montgomery
Mr. & Mrs. James L. Ware, Galveston
Mrs. Peck Westmoreland, Lockhart
Josiah Wheat, Woodville
Mr. & Mrs. Wheelus, Jr., Beaumont
Mr. & Mrs. Bill Wilkerson, Pleasanton
Mrs. V. T. Williams, Navasota
Mike Zwan, Tyler
Maj. Gen. William L. Starnes
USA (Ret.]
Mrs. Marshall T. Steves
Civic Leader
David J. Straus
President
STRAFCO
Mrs. Louis H. Stumberg
Civic Leader
Frank Valdez
Frank M. Valdez
and Associates Architects
Larry White
Vice-President and
Station Manager
KLRN-TV
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Different meanings for different people ...
WHAT IS
FOLKLIFE? by Joe Graham
The desire to present our authentic
folklife-folk crafts, folk art, folk
performers-is the goal of the
Texas Folklife Festival. To label a
part of our festival as "folklife"
when it is only "folksy" or when it
is a popular craft or art, is confus­ing
and even deceptive. This is not
our intention. Some of our per­formers
fall in the category of
popular craftsmen.
The term "folklife" has different
meanings for different people. For
some, it conjures up an image of the
folksy rustic with his quaint prac­tices;
for others, it may be used to
describe all aspects of the life of
the common people. There are four
characteristics which help identify
the authentic folk performers and
distinguish them from the popular
and the merely folksy.
First, a folk artist or folk crafts­man
is community based. What he
does, or makes, is part of the tradi­,
tions of his particular group­.
ethnic, national, occupational, age,
religion or region. Members of this
particular group recognize the
song, work of art, or product as a
part of their culture. It is familiar,
and it communicates something
specific to members of the group.
Often the meaning is lost on out­siders.
Mariachi music, for exam­ple,
stirs the blood and quickens
the heartbeat of those in the folk
group to which this music belongs.
The outsider may think the music is
"good," but he doesn't feel that
special excitement felt by the folk
group.
Second, there is a continuity in
the materials and people involved
in the authentic folk performance.
The authentic folk craftsman, say a
blacksmith, would be one link in a
chain of craftsmen (blacksmiths) in
his community. Probably, he would
have learned from his father or
another relative, or from someone
else in the community. The black-
Joe Graham, folklorist in residence
at The Institute of Texan Cultures.
smith's tools and other equipment,
as well as the techniques he uses
and the products he makes, are not
new to him. They have been passed
down to him. Thus, there is a clear
continuity between the authentic
folk craftsman, his materials and
techniques and the past.
Closely related to his continuity
with the past is the third charac­teristic
of the authentic folk per­former.
What he does will have
been learned and maintained
without formal instruction or in­stitutional
direction.
The fourth defining charac­teristic
of an authentic folk per­formance
is that it is not changed
or "dressed up" for the new audi­ence.
It should be as close as pos­sible
to what it would be back home
in its natural setting.
Obviously, the Folklife Festival
forces some changes but it is pos­sible
to maintain the integrity of the
performance. The folk per­formances
at the Festival may re­quire
explanation where back
home none was necessary. For this
reason, we encourage our crafts­men,
artists and performers to talk
freely with visitors at the Festival,
and we hope that our visitors will
ask questions.
Since a number of the early
pioneer crafts have been unused
for several decades, there are no
authentic craftsmen and artists
practicing them. A number of folks
performing at the Texas Folklife
Festival have taken an interest in
these crafts and have learned how
to do them on their own. They seek
to perpetuate these early crafts,
and if possible, revive their prac­tice
among those who wish to learn.
For example, spinning wool with
a drop spindle or on a spinning
wheel has not been a part of the liv­ing
traditions of Texas folk in the
20th Century. So without those who
have learned this craft through
continued on page 8
nr~lnowing you've
chosen the right
hotel is a delicious
anticipation.
~ Four
Seasons
Plaza Nacional
San Antonio
South Alamo at Durango
Telephone: 229-1000.
Call your Travel Agent
or 800-828-1188 toll-free.
Four Seasons Hotels
london, England linn on the Park)
Chicago !Ritz-Carlton)
San Antonio · San Francisco (Clift)
Washington D.C.· Houston 1981
Israel • Montreal
Ottawa • Belleville
Toronto !Four Seasons, Yorkville)
Toronto linn on the Park)
Calgary· Edmonton· Vancouver
7
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means other than the traditional
way, we could not demonstrate this
and other early pioneer crafts. We
encourage all of our folk artists
and craftsmen to provide an un­embellished,
authentic presenta­tion
of their skills. It is the goal of
the Folklife Festival that all per­formers
put their particular activi­ty
into the proper cultural context.
BLUEPRINT CO.
900 MAVERICK BUILDING
SAN ANTONIO, TEXAS
MAPS,
BLUE PRINTS
S ALLIED
REPRODUCTIONS
512-226-1355
Aladdin sells.
Aladdin services.
How may we help you?
SALES: Carpet, draperies, wall
coverings and handmade area
rugs.
SERVICES: Professional
cleaning of carpet, draperies
and upholstery. Installation and
repair of carpet and draperies.
Interior design assistance.
Alae.\«.\ to
CARPET & DRAPERY CLEANING
315 W. JOSEPHINE 736-1821
Visit our showroom.
IN THE EDCO BUILDING. LOOP 410 AT VANCE JACKSON
"Polar Bear~
~ Ashburn's i'
Natural Homemade Style Ice Cream
We use no artificial
Davorings, no chemical
colorings, and no
preservatives in our
natural Davored
ice cream.
How many other ice
creams can say that?
All of our (anfastic tasting natural flavored
ice cream is made with natural ingredients. Our natural
ice cream contains no artificial flavoring, no chemical
colorings, no additives and no preservatives.
When you taste one of our delicious. homemade style
flavors, you can bet the flavor came from the
actual fruit. nut or candy.
That's the good, old fashioned , homemade style.
And that's the way we make ice cream. And that's what
keeps people coming back for more.
Be a Pepper
II
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building the state as we know it
today.
From its beginnings in 1968, The
Institute used exhibits, books and
audio visuals to describe Texas
and Texans. Then, far-sighted
members of The Institute staff
decided to let the people them­selves,
the descendants of Texas
immigrants, tell their own story.
The result was a vibrant and excit­ing
presentation of history that is
as much an educational experience
as a good time.
Texans' response to this idea
was overwhelming. They came
from every part of the state, re­presented
every color and religion
and boasted of a wide range of
skills and talents. They used all
their abilities to help The Institute
throw this big, four-day reunion.
They shared their traditional fciod,
music, games, crafts, dance and
art. And, more importantly, they
shared the joy of being residents of
the Lone Star State with their
neighbors, even if that "neighbor"
hailed from Laredo, El Paso or
Texarkana.
The celebration was so popular,
it became an annual affair. It
wasn't just a four-day extravagan­za.
It's benefits have been many.
Several ethnic groups developed a
new awareness and pride, and
many organizations sprang up that
were dedicated to preserving cul­tural
awareness. Lost arts, such as
horsehair rope spinning, were not
only rediscovered; they were
taught to new generations of
Texans. And The Institute found
new directions. "Living exhibits"
became a vital part of The Insti­tute's
day-to-day operations, and
today's Institute visitors quickly
find themselves learning tortilla
making or pioneer weaving and
discussing Texas music and
musicians.
Events modeled after the Festival
are now commonplace. But the
Texas Folklife Festival retains its
stature as the best of them all. Why
else would participants donate
their time and travel from all over
the state? Why do visitors come
from all over the world?
Because the Texas Folklife
Festival is a place to learn, a
chance to get back in touch with
our beginnings. And because it's
fun.
So, welcome to the Festival. We
know you'll have a good time, and
we hope you'll be back. •
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A GUIDE TO THE TEXAS FOLKLIFE FESTIVAL
t only takes one movement to
click through the turnstiles.
But faced with a jumble of
sashaying dancers, beer and
boudain sausage, Czechs and
checkers, Hungarians and
hunger, whistlers and whitlers,
crochet squares and square
dancers, where do you turn?
The Texas Folklife Festival hap­pens
all at once, so it's hard to map
out a firm route. But this overview
will help you pick your own starting
point. Activities are grouped by
areas, which can be found marked
on the map on the cover. Everything
hasn't been listed, but the fun of
the Festival is in discovery. And
participation. It ' s exciting .
Nostalgic. And the non-stop enter­tainment
can leave you breathless.
It 's truly a Texas experience.
THE GARDEN
Far from being the quiet place the
name implies, this mixture of mad­ness
represents some of the best
ethnic music, food, bluegrass and
humor found at the Festival. Stage
1, a hum of activity, features the
screech of fiddles, twangs of
guitars and Texas slang and the
sound of bubble gum blowing and
the splashing of onions bobbing in
two of the contests. There are
crafts too, and a Filipino dancing
school-so be sure to make this
part of your visit.
Moving on, you can either go
down the Durango Street side of
the berm to your right or turn left
onto Flagpole Street.
FLAGPOLE STREET
This area is a cool bet for the
August heat-there are pubs­both
Irish and English-where you
can sit with a cold drink and in­dulge
in nothing more active than a
game of darts. Sample German
wurst while watching it being
made, or try Japanese yakitori,
Irish stew or Cornish pasties. A full
range of country and country ting­ed
music sounds from Stage 2, and
there 's always a ballad-singing
crowd gathered at the Irish piano.
The Texas Compadres booth allows
non-Texans to register as tempo­rary
residents. They are outfitted
with badge and certificate in case
anyone challenges their enjoyment
of things Texan.
Before reaching the end of Flag­pole
Street, you'll notice a bridge
leading to the Festival's newest area,
Skandinavian Skuare . A variety
of ethnic foods wait your discovery
so go on across the bridge. You'll
discover the taste delights of
Swedish meatballs , Norwegian
varm korv, and Greek souvlaki (a
shish kebab] and flaming cheese.
NORTH PARK BOULEVARD
The end of Flagpole Street tugs
you into the North Park Boulevard.
Here there 's a stewpot of ethnic
cuisine in which Chinese egg rolls,
hoecake, sausage, Hungarian
goulash, and Polish cabbage rolls
simmer into a heady Texas brew.
Stage 5 offers the world champion
yodeler, a teenage Lebanese beau­ty
doing centuries-old Middle
Eastern Dances or the stomp of cos­sack
boots. German village bands,
Czech Polkateers and Scandina­vian
Dancers all add to the thump
of activity while ground-seated
visitors fan themselves on the cool,
grassy berms. A wide assortment
of ethnic crafts create a form of
general store so look over the
Polish papercuttings, decorated
eggs and Indian baskets.
Before leaving the area to circle
the berm, go through the tunnel to
The Institute side of the hill. Just in­side,
a colorful variety of crafts­men
stitch, cut silhouettes or craft
glass. And the Wends, a museum
exhibit in themselves because of
their dwindling population, make
their stand teaching noodle mak­ing,
folk medicine and various
crafts. continued on page 17
13
Enjoy a Cold Lone Star
Beer while you visit the
TEXAS FOLKLIFE
FESTIVAL '~~
You'll enjoy
too ... the Lone
Star Brewing Company's Buck­horn
Bar, the world-famed Hall
of Horns, Fins & Feathers.
Youngsters love it and our
Lone Star Root Beer. Buck­horn
Museums open daily , in­cluding
week-ends. Great Gift
Shop. Free parking. Nominal
admission . 600 Lone Star Blvd .
Call 226-8301 for visitor infor­mation
.
In San Antonio ... for Lone
Star Party Kegs, "Long
Necks", full cans or alumi­num
can recycling, it's
Burkett's Distributing Co.
502 Riverside 532-6371
IH-35 at Highway 46 625-2146
P. 0. Box 1159 New Braunfels, Texas 78130
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BACK 40
Go on around The Institute porch
to the Mexican Mercado or go back
through the tunnel and follow the
paved path around the berm. This
spread is the Back 40, a round-up of
frontier activities corralling parti­cipants
and visitors alike in the
learning of old arts. During the
festival's history, these people
have taught, learned and worked
their way to completion of a dog­run
log cabin and a schoolhouse
and now are busy on a log kitchen.
Children can stake out Frontier
Playland, which features child­sized
farm activities, while parents
do some larnin' at informal schools
that offer everything from sauer­kraut
making to elocution. It's a
hoedown of activity, so take your
time or you might miss something.
To cool off, sit under a tree for the
tall tales and remembrances of one
of many storytellers or relax under
the Brush Arbor.
By now, you're probably hungry,
so walk back over to the pedestrian
pathway. There are cool drinks and
ethnic foods ranging from Scottish
fish and chips to chicken fried
steak to Alsatian delicacies nested
in an authentic reproduction of an
old-world house. If you're getting
full, just order a 20¢ taste. Thirst
and hunger sated, amble over to
the rural mailbox attached to a tall
pole. There you can catch the
chicken flying contest. Pick out
your favorite and hope for a sud­den
death chicken fly-off. Stage 3 is
a sampler of ethnic folk dance and
song. Sometimes Bones Nobles
whirls his set of cow rib bones to
just about any kind of music, pro­viding
a percussion sound.
Weaving your way through the
tapestry of horsehair rope makers,
cow and hog dogs, mules, cane
mills, muzzleloaders, folk artists
and the chuck wagon may take
some time, but it 's worth it. It's a
feast for the eyes and ears, so take
time to talk. Everyone's friendly
and their stories will teach you a
history of Texas no textbook can
lay claim to.
MEXICAN MERCADO
At the Mexican Mercado, bust­ling
between the Back 40 berm and
The Institute, visitors roam in and
out of Middle Eastern and Mexican
market places. It's the only place
you can eat tabooli with chalupas
while bartering for a pinata. Perch
on the berm to watch flamenco and
Mexican dancers at Stage 7 or on
the slope for some Lebanese belly
dancing on Stage 8.
Now that you're on The Institute
side of the Berm, go on around the
corner. Grab something to drink.
You'll need it. After you've eaten
your way past the chili cookers
you'll find yourself face-to-face
with some of the Cajun's spicy bou­dain
sausage or a bowl of gumbo.
Then join the crowd ahead of you
and trip the light fais-do-do [two
step) while Cajun fiddlers saw
away at their instruments.
If you can tear yourself away
from the Cajun music, circle back
around the berm and you'll find
yourself on the Durango Street
side. This extension of the Back 40
has a lazy air. Old men play the
Italian lawn bowling game of
Bocce. See cows swish tails at flies
and non-flying chickens on exhibit.
Watch a sheep shearer at work or
a goose getting plucked. And the
clang of a blacksmith's hammer on
the anvil is almost hypnotizing. For
a little excitement, hop on the
wagon for a free ride; then start
around the Festival for a second
look. •
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The
Great
Servicemen.
Forget MacArthur.
Never mind Patton, Ike or
Omar Bradley. If you're waging
the kind of war that's conducted in
four-color, two-color or black-and­white,
and the battle is selling your
product or service more effectively,
you need to meet the Great American
Service Men.
At American Printers.
To become the best, most capable
printers in Texas, American Printers
has assembled the personnel and
equipment to handle virtually any
printing job.
But expertise and sophisticated
equipment is just half the fight. You also
need a can-do attitude and a total
dedication to service. That's why great
American service men like Paul David,
Wes Mason, Lee Mabrito and Dan
Tharp are willing to give their all for
your printing job. Whether you hand
them finished art or typewritten copy
and photos.
Just so you'll say, "I shall return."
American Printers
~ 901 Paulsun, San Antonio,
Texas 782 19, (512) 224-2271
THURSDAY, AUGUST 2, 1979
TIME STAGE 1 STAGE 2 STAGE 3 STAGE 4 STAGE 5
5:30 Lee McCullough E-Heart Land T.E.A.C.H. Norman Appling Round Top
and Luckenbach and Cattle Co. Acting Co. Fiddler Brass Band
6 p.m. Red River Dave East Texas Italian The Woodromes Die Rathkamp Tanzer
McEnery String Ensemble Folk Dancers Gospel Singers German Dancers
6:30 Hallettsville Hickory Nederland Dochters Norman Appling Alabama-Coushatta
Fiddlers En Maeder Molly Fiddler Indian Dancers
7 p.m. Propps Family Hickory- Hermann Sons Singing Harris Family Wurstfest
Band Bones Nobles Polkateers Gospel Singers Opa Band
7:30 Joe Bowman E-Heart Land Italian Singing School Norwegian
Precision Shooting and Cattle Co. Folk Dancers Leikar-ringen
8 p.m. Bill Smallwood Hallettsville Krakowiak Voices of the Jewish
Band Fiddlers Polish Dancers Mainland Folk Dancers
8:30 Square and Alamo City Kadlecek Family The Woodromes Laredo
Round Dancers Highlanders Gospel Singers Bayanihan Dancers
9 p.m. Propps Family E-Heart Land Tony Ullrich Singing School Gil Baca Band
Band and Cattle Co. Banjo
9:30 Joe Bowman East Texas Kadlecek Family Singing Harris Family Round Top
Precision Shooting String Ensemble Gospel Singers Brass Band
10 p.m. Lee McCullough Hickory Red River Dave Voices of the Tanya Zwan
and Luckenbach McEnery Mainland Mid-East Dancer
10:30 Bill Smallwood Hickory Die Rathkamp Tanzer Voices of the Laredo
Band German Dancers Mainland Bayanihan Dancers
STAGE 6 STAGE 7 STAGE 8
Cajun Music Mexican and Spanish Performers Lebanese Dancers
continuous performances from 5:30 p.m. til 10:30 p.m. 6 p.m., 7:30p.m.,
See page 33 for details. 9 p.m., 10:30 p.m.
GAMES AND SPECIALS
5:30 Alamo City Highlanders, Flagpole Street
6:00 Berm Sliding Contest. Back 40
7:30 Bocce. Games Field
8:30 Bruce Montague. Trick Roping, Games Field
6:30 Bruce Montague, Trick Roping, Games Field 9:00 Devine Music Makers. Log House
7:00 Sheepshearing, Durango Street Fence 9:30 Alamo City Highlanders. Porch
This schedule is subject to Just minute changes.
GENERAL INFORMATION
HOURS of the Festival are 5-11
p.m. Thursday; noon-11 p.m.
Friday, Saturday and Sunday. Ad­mission
is for the entire day. If you
leave the grounds, ask to have your
hand stamped.
ENTERTAINMENT is free. Check
the schedule in this program for
times and performers.
INFORMATION and souvenirs are
available at the Kiosks located
throughout the grounds.
CRAFT DEMONSTRATION times
are posted on each booth, if
they are not continuous.
FOOD AND DRINK are sold by
coupon only. Coupon booths are lo­cated
throughout the grounds and
marked on your map. Most food
booths offer samples of their goods
for one or two coupons.
FIRST AID is provided by the Red
Cross and doctors from the UT
Health Science Center. First aid
stations are located in The Institute
and on the back grounds.
LOST CHILDREN or parents will be
taken to the snack shop on the
lower floor of The Institute.
desk in the basement of The Insti­tute.
FREE SHUTILE BUSES run from all
downtown parking lots to the Festi­val
grounds. For a small round-trip
charge, visitors may park at Wind­sor
Park or Wonderland shopping
malls and ride the bus to the Festi­val.
REST ROOMS are located through­out
the grounds and in the base­ment
of The Institute.
PARTICIPANTS are here to share
their knowledge with you. Feel free
to ask questions-you'll learn more
LOST AND FOUND articles may be and meet some nice people in the
claimed or reported at the security process.
19
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FRIDAY,AUGUST 3, 1979
TIME STAGE 1 STAGE 2 STAGE 3 STAGE 4 STAGE 5
12 noon Red River Dave The Gallicians Norwegian
McEnery Polish Dancers Leikar-ringen
12:30 Lee McCullough El Campo Alabama-Coushatta
and Luckenbach German Dancers Indian Dancers
l p.m. Propps Gary Coover Devine Music Makers Die Rathkamp Tanzer
Family Band Concertina German Dancers
1:30 Nacogdoches Hallettsville Tony Ullrich Singing Harris Family Laredo
Jazz Band Fiddlers Banjo Gospel Singers Bayanihan Dancers
2 p.m. Bill Smallwood Round Top El Campo Singing School Italian
Band Brass Band German Dancers Folk Dancers
2:30 Joe Bowman East Texas The Gallicians Bayou City Scandinavian
Precision Shooting String Ensemble Polish Dancers Attic Singers Folk Dancers
3 p.m. Red River Dave E-Heart Land Nederland Dochters Voices of the Alabama-Coushatta
McEnery and Cattle Co . En Maeder Molly Mainland Indian Dancers
3:30 Lee McCullough Hickory El Campo Bayou City Die Rathkamp Tanzer
and Luckenbach German Dancers Attic Singers German Dancers
4 p.m. Propps Hickory T.E.A.C.H. Devine Music Makers Laredo
Family Band Acting Company Bayanihan Dancers
4:30 Nacogdoches Round Top Italian The W oodromes Scandinavian
Jazz Band Brass Band Folk Dancers Gospel Singers Folk Dancers
II
5 p.m. Bill Smallwood Hallettsville Gary Coover Singing School Norwegian
Band Fiddlers Concertina Leikar-ringen
I
5:30 Joe Bowman East Texas Kadlecek Family Singing Harris Family Bluegrass Kinfolks-
Precision Shooting String Ensemble Gospel Singers Texas Travelers
6 p.m. The Allstar E-Heart Land Tony Ullrich The Bill Morris Italian
Sounds and Cattle Co . Banjo Singers Folk Dancers
I
6:30 Red River Dave Hickory Kadlecek Family Voices of the Alabama-Coushatta
I McEnery Mainland Indian Dancers
I
I
I 7 p.m. San Antonio Hickory- Applejack The Woodromes Boerne Village Band
'
I Czech Choral Group Bones Nobles Gospel Singers
7:30 Joe Bowman The Bluegrass Krakowiak The Bill Morris Tanya Zwan
Precision Shooting Kinfolks Polish Dancers Singers Mid-East Dancer
8 p.m. Square and Round Top Die Rathkamp Tanzer Bayou City Gil Baca Band
Round Dancers Brass Band German Dancers Attic Singers
8:30 Propps East Texas Red River Dave Singing Harris Family Boerne Village Band
Family Band String Ensemble McEnery Gospel Singers
9 p.m. Hallettsville E-Heart Land Applejack The Bill Morris Alamo Cloggers
Fiddlers and Cattle Co. Singers
9:30 The Allstar The Bluegrass Gary Coover Voices of the Gil Baca Band
Sounds Kinfolks Concertina Mainland
10 p.m. Nacogdoches Hickory Italian The W oodromes Tanya Zwan
Jazz Band Folk Dancers Gospel Singers Mid-East Dancer
10:30 Bill Smallwood Hickory Tony Ullrich The W oodromes Laredo
Band Banjo Gospel Singers Bayanihan Dancers
STAGE 6 STAGE 7 STAGE 8
Cajun Music Mexican and Spanish Performers Lebanese Dancers
Continuous performances from 1 p.m. til 10:30 p.m 1 p.m., 2:30 p.m., 4 p.m. 5:30 p.m.
See page 33 for details. 7 p.m., 8:30 p.m., 10 p.m.
GAMES AND SPECIALS
1!1
2:00 Bruce Montague, Trick Roping, Games Field 6:30 Alamo City Highlanders, Games Field
3:00 Bocce, Games Field 7:00 Sheepshearing, Durango Street Fence
4:00 Bruce Montague, Trick Roping, Games Field 8:00 Bruce Montague. Trick Roping, Games Field
I 5:00 Bocce, Games Field 9:00 Devine Music Makers. Log House
6:00 Berm Sliding Contest, Back 40 . 9:00 Alamo City Highlanders, Porch
6:00 Bruce Montague. Trick Roping, Games Field
This schedule is subject to last minute changes.
20
SATURDAY, AUGUST 4, 1979
TIME
12 noon
12:30
1 p.m.
1:30
2 p.m.
2:30
3 p.m.
3:30
4 p.m.
4:30
5 p.m.
5:30
6 p.m.
6:30
7•p.m.
7:30
l:l p.m.
1:3:30
9 p.m.
9:30
10 p.m.
10:30
STAGE 1 STAGE 2 STAGE 3 STAGE 4 STAGE 5
Nacogdoches Gary Coover Nederland Dochters The Woodromes Norwegian
jazz Band Concertina En Moeder Molly Gospel Singers Leika r-ringen
The Hoboes East Texas Italian Singing Harris Family Cameron German
String Ensemble Folk Dancers Gospel Singers Folk Dancers
joe Bowman The Bluegrass Houston Voices of the Laredo
Precision Shoaling Kinfolks Irish Dancers Mainland Bayanihan Dancers
Red River Dave Hickory Nederland Dochters Duckens Family Scandinavian
McEnery En Maeder Molly Gospel Singers Folk Dancers
Lee McCullough Hickory Kadlecek Family Bayou City Alabama-Cousha Ita
and Luckenbach Attic Singers Indian Dancers
Propps Family E-Heart Land Krakowiak Norman Appling Polish Eagle
Band and Cattle Co. Polish Dancers Fiddler Dancers
Nacogdoches East Texas Italian Bayou City Bluegrass Kinfolks-jazz
Band String Ensemble Folk Dancers Allie Singers Texas Travelers
Bill Smallwood E-Heart Land Kadlecek Family The Woodromes Ukrainian
Band and Ca tlle Co. Gospel Singers Dancers
The Hoboes Hickory T.E.A.C.H. Singing Harris Family Krakowiak
Acting Company Gospel Singers Polish Dancers
joe Bowman Hickory- Cameron German Norman Appling Texas Czechs
Precision Shooting Bones Nobles Folk Dancers Fiddler In Review
Gary Coover The Bluegrass Tony Ullrich The Bill Morris Houston
Concertina Kinfolks Banjo Singers Irish Dancers
Red River Dave Alamo City Hofbraugarlen Voices of the Laredo
McEnery Highlanders German Band Mainland Bayanihan Dancers
Lee McCullough East Texas Chicken Flying Walker-Ford Ala bama-Cousha t Ia
and Luckenbach String Ensemble Con test Gospel Singers Indian Dancers
Backwoods Volunteers E-Hearl Land Ukrainian Duckens Family Cadence Cloggers
Bluegrass Band and Cattle Co. Dancers Gospel Singers
San Antonio Hickory Hermann Sons Bayou City Bluegrass Kinfolks-
Czech Choral Group Polka leers A tlic Singers Texas Travelers
Propps Family Hickory Hofbraugarten The Woodromes Tanya Zwan
Band German Band Gospel Singers Mid-East Dancer
Square and Alamo City Applejack The Bill Morris Gil Baca Band
Round Dancers Highlanders Singers
joe Bowman East Texas Polish Eagle Singing School Texas Czechs
Precision Shooting String Ensemble Dancers In Review
Nacogdoches The Bluegrass Hofbraugarlen Singing Harris Family Kali Parea
jazz Band Kinfolks German Band Gospel Singers Greek Dancers
Backwoods Volunteers E-Heart Land Tony Ullrich The Bill Morris Gil Baca Band
Bluegrass Band and Cattle Co. Banjo Singers
Bill Smallwood Hickory Houston Voices of the Tanya Zwan
Band Irish Dancers Mainland Mid-East Dancer
The Hoboes Hickory Applejack Duckens Family Laredo
Gospel Singers Bayanihan Dancers
STAGE 6 STAGE 7 STAGE 8
Cajun Music Mexican and Spanish Performers Lebanese Dancers
12:30
2:30
3:00
3:30
4:00
4:30
Continuous performances from 12 noon til 10:30 p.m. 1 p.m .. 2:30 p.m., 4 p.m., 5:30 p.m.
See page 33 for details. 7 p.m .. 8:30 p.m., 10 p.m.
GAMES AND SPECIALS
Watermelon Seed Spitting Contest. Games Field
Alamo City Highlanders, Porch
Goose Plucking, Durango Street Fence
Sheepshearing, Durango Street Fence
Watermelon Seed Spilling Finals, Games Field
Bruce Montague. Trick Roping. Games Field
5:00
5:30
6:00
6:30
7:00
7:30
9:00
Sokol Zizka. Czech Gym Team, Games Field
Bocce. Games Field
Berm Sliding Contest. Back 40
Bruce Montague, Trick Roping, Games Field
Sheepshearing. Durango Street Fence
Sokol Zizka. Czech Gym Team. Games Field
Devine Music Makers. Log House
This schedule is subject to Just minute changes.
21
TIME
12 noon
12:30
1 p.m.
1:30
2 p.m.
2:30
3 p.m.
3:30
4 p.m.
4:30
5 p.m.
5:30
6 p.m.
6:30
7 p.m.
7:30
8 p.m.
8:30
9 p.m.
9:30
10 p.m.
10:30
22
SUNDAY, AUGUST 5, 1979
STAGE 1 STAGE 2
Applejack The Bluegrass
Kinfolks
Bill Smallwood East Texas
Band String Ensemble
The Hoboes Backwoods Volun leers
Bluegrass Band
Propps Family E-Heart Land
Band and Cattle Co.
Seaton Brass Band East Texas
of Bell County String Ensemble
Joe Bowman Hickory
Precision Shooting
Nacogdoches Hickory-
Jazz Band Bones Nobles
Seaton Brass Band E-Heart Land
of Bell County and Cattle Co.
Applejack Backwoods Volun leers
Bluegrass Band
Bill Smallwood The Bluegrass
Band Kinfolks
High Society Hickory
Jazz Band
High Society Hickory
Jazz Band
The Hoboes E-Heart Land
and Cattle Co.
Nacogdoches The Bluegrass
Jazz Band Kinfolks
Joe Bowman Backwoods Volunteers
Precision Shooting Bluegrass Band
Lee McCullough Hickory
and Luckenbach
Corn Shuckin · Hickory
Finals
The Hoboes E-Heart Land
and Cattle Co.
Applejack Red River Dave
McEnery
Propps Family Backwoods Volunteers
Band Bluegrass Band
Bill Smallwood Hickory
Band
Nacogdoches Hickory
Jazz Band
STAGE 6
STAGE 3
Nederland Dochters
En Maeder Molly
Italian
Folk Dancers
Tony Ullrich
Banjo
The Mountain
Vagabonds
Gary Coover
Concertina
Hofbraugarten
German Band
Houston
Irish Dancers
Red River Dave
McEnery
T.E.A.C.H.
Acting Company
The Mountain
Vagabonds
Kadlecek Family
Hofbraugarten
German Band
Chicken Flying
Contest
Kadlecek Family
Tony Ullrich
Banjo
Red River Dave
McEnery
Gary Coover
Concertina
Hofbraugarten
German Band
Krakowiak
Polish Dancers
Scandinavian
Folk Dancers
Tony Ullrich
Banjo
The Mountain
Vagabonds
STAGE 7
STAGE 4
Singing Harris Family
Gospel Singers
Duckens Family
Gospel Singers
Bayou City
Attic Singers
Voices of the
Mainland
The Woodromes
Gospel Singers
Singing Harris Family
Gospel Singers
Singing School
Bayou City
Attic Singers
His Brothers
Children
Duckens Family
Gospel Singers
Voices of the
Mainland
The Woodromes
Gospel Singers
Singing Harris Family
Gospel Singers
Singing School
His Brothers
Children
Duckens Family
Gospel Singers
Voices of the
Mainland
The Woodromes
Gospel Singers
Singing Harris Family
Gospel Singers
Singing School
Voices of the
Mainland
The Woodromes
Gospel Singers
STAGE 5
Polish Eagle
Dancers
Cameron German
Folk Dancers
Ukrainian
Dancers
Bunny Brass Band
Bluegrass Kinfolks­Texas
Travelers
Texas Czechs
In Review
Italian
Folk Dancers
Norwegian
Leikar-ringen
Scandinavian
Folk Dancers
Alabama-Coushatta
Indian Dancers
Norwegian
Leikar-ringen
Laredo
Bayanihan Dancers
Krakowiak
Polish Dancers
Tanya Zwan
Mid-East Dancer
Alabama-Coushatta
Indian Dancers
Gil Baca Band
Square and
Round Dancers
Tanya Zwan
Mid-East Dancer
Gil Baca Band
Laredo
Bayanihan Dancers
Kali Parea
Greek Dancers
STAGE 8
Cajun Music Mexican and Spanish Performers
Continuous performances from
12 noon til 10:30 p.m.
Lebanese Dancers
1 p.m .. 2:30 pm .. 4 p.m.,
5:30p.m.
1:30
2:00
2:30
3:00
3:30
See page 33 for details. 7 p.m., 8:30p.m., 10 p.m.
GAMES AND SPECIALS
Bruce Montague, Trick Roping. Games Field
Sokol Zizka, Czech Gym Team, Games Field
Bocce, Games Field
Goose Plucking Durango Street Fence
Sheepshearing, Durango Street Fence
4:00
4:30
5:30
6:00
6:00
9:00
Bruce Montague. Trick Roping, Games Field
Sokol Zizka. Czech Gym Team. Games Field
Sheepshearing, Durango Street Fence
Bruce Montague, Trick Roping, Games Field
Berm Sliding Contest, Back 40
Devine Music Makers, Log House
This schedule is subject to Just minute changes.
LEGEND
33 Adobe 71 Kites
57 Adobe Oven Bread 44 Knifesmith
90 Alabama-Coushatta 3 Korean
58 Alsatian 114 Lebanese
49 Apple Dolls 84 Log House & Kitchen
19 Arm Wrasslin' 83 Lye Soap
86 Axe Men 112 Mexican Market
51 Balloons 15 Milking
74 Baskets 56 Muzzleloaders
7 Bass Box 76 Net Making
76 Beadwork 115 Noodle Making
17 Bee Keepers 198 Norwegian
89 Belgian 31 Old Time String Shop
88 Berm Sliding Contest 104 Out-of-State Visitors
25 Blacksmiths 10 Pakistani
28 Bocce 63 Pickles
47 Bonnets 96 Polish
23 Boot Maker 94 Polish Needlework
65 Bread Bakers 69 Pottery
12 British Pub 18 Poultry
61 Butter Churning 55 Puppets
111 Cajun 93 Quilling
82 Candle Making 66 Quilting
37 Cane Mill 13 Railroad Spike Drivers
75 Chair Caner 50 Rawhide Quirts
45 Chair Maker 32 Roof Thatcher
60 Chicken Fried Steak 36 Rope Maker
4 Chili 99 Rumanian
85 Chimney Maker 22 Saddler
100 Chinese 26 Sandcasting
34 Chuck Wagon 80 Sauerkraut Making
2 Cobbler 109 Sausage Stuffing
50 'Coon Oil Cookies 107 Scandinavian
48 Corn Shuck Dolls 77 Schoolhouse
14 Corn Shuckin' 59 Scottish
29 Cow and Hog Dogs 16 Sheepshearing
115 Crochet 87 Shingle Splitter
8 Cuban 117 Si lhouettes
7 Czech 92 Silk-Screen
7 Dominoes 11 Sky Ride
68 Drop Spinning & Dyeing 64 Smokehouse
61 Dutch 101 Soul Food
77 Elocution 113 Spanish
5 Etcher 67 Spinning & Weaving
6 Filipino 118 Stained Glass
42 Fishin ' 116 Stitchery & Dolls
39 Frio County Peanuts 38 Storytellers
54 Frontier Playland 76 :>tri_ng Quilts
109 German 100- Swedish
27 Glass Blower 102 Swiss
119 Glass Crafting 35 Syrup Cooker
16 Goose Plucking 79 Tatting
105 Greek 91 Tigua
63 Grist Mill 6 Tinikling Dance School
43 Gun Engraver 40 Trapping
77 Handwriting as a Craft 41 Treadle Lathe
81 Herbs 78 Treenware
63 Hominy 21 Wagon Rides
20 Horseback Rides 115 Wendish
30 Horsehair Rope Spinning 24 Wheelwright
98 Hungarian 73 Whistles & Whips
15 Ice Cream 70 Whittlin'
52 Ice Cream 79 Wine Making
9 India-Asia 80 Woodcarver
103 Irish 46 Wooden Puzzles
97 Italian 72 Wooden Toys
110 Japanese 95 Wycinanki
63 Jelly & Preserves 53 Yamboree
62 Jewish Yugoslav
SYMBOLS £. '.fits titulo Information and CD Telephone Souvenirs A Coupons 1~~
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to the
INSTITUTE!
The Institute of Texan Cultu res
is open daily except Monday, with
hours from9a.m. to5p.m.lt's
easy to find on the southeast
corner of HemisFair Plaza in
downtown San Antonio next to
IH 37 on Durango St reet. Come
and see it all - where Texas
cultu res, history and t raditions
come to life . School classes are
invited. Please call512/ 226-7651
in advance for reservations.
Admission is free. School bus
parking is f ree; there is a 75c
parking charge for automobiles.
One Easy Solution
to all those Cleaning Problems
Whether your cleaning prob lems are
big or smal l, you need a cleaners t hat
can hand le them all. Slater-White . Be­cause
not on ly has Slater-White been
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clean ing prob lem, Slater-White has an
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CLEAN lNG/LAUNDRY
226-1326
Free Pick-up and Delivery
23
-.
~-t
\ ,
-.\ .. -~-
SAMPLE THE FOOD!
ALSATIAN
Alsatian Sausage on Bun. . . . . 1.20
Parisa (raw meat) .............. 20
BELGIAN
Hespe Broodje (ham sandwich). .60
Belgian Raspberry Sherbert
......................... 20 & .40
Honey Cake .. ..... .. ... . . 20 & .40
BRITISH
CornishPastie (meat pie) ... . . 1.00
English Sausage Roll. . . . . . . . . . .40
Shandy Gaff (beer cooler) ....... 80
CAJUN
Gumbo ............. 1.00 and 2.00
Hot Links. . . . . . . . . . . . . . . . . . . 1.00
Boudain (rice sausage). . . .. .. 1.00
Taste ....................... 20
CHILI
Chili. . . . . . . . . . . . . . . . . .20 and .80
Chili making demonstration
24
CHINESE
Egg Rolls ..... . ... .... .... .. . . . 80
Shrimp Chips .............. .. . .40
Fortune Cookies ... ............ 20
CHUCK WAGON
Cowboy Special (barbecued
brisket, beans and sourdough
biscuit). . . . . . . . . . . . . . . . . . . . .60
Cowboy Beans. . . . . . . . . . . . . . . .60
Barbecue with Sourdough
Biscuit. . . . . . . . . . . . . . . . . . . 1.00
Sourdough Biscuit. . . . . . . . . . . . .20
CUBAN
Black Beans with Garlic Bread .40
Rice Pudding. . . . . . . . . . . . . . . . . .40
Fried Bananas ...... ... ........ 40
CZECH
Klobasniky (pig in the blanket). .60
Kolache (sweet roll with fruit
filling) . . . . . . . . . . . . . . . . . . . . . .40
Bread (loaf). . . . . . . . . . . . . . . . . 1.00
Sausage & Bread. ........... 1.40
DUTCH
Dutch Cookies. . . . . . . . . . . 8 for .40
........ . ............ . . l2for.60
FILIPINO
Inihaw (pork shish kebab) . .... 1.00
Lumpia (egg rolls). . . . . . . . . . . . . .80
Tastes of Inihaw and
Lumpia . ..... .... .......... .40
FRIO COUNTY PEANUTS
Old-Fashioned Peanut Butter. . .80
Chili Nuts ..... . ..... ... . . . ... .40
Candied Nuts . . . .. ... .. ........ 40
Salted Nuts. . . . . . . . . . . . . . . . . . .40
Peanut Brittle ... ........... . 1.40
GERMAN
German Sausage on a Stick ... 1.40
German Sausage on a Stick
with Cheese ...... . ....... . 1.60
Pepperoni Sausage .... . . . ..... . 20
BeefJerky . . .... .... ... 80 and 1.00
German Potato Salad...... ... .40
Sauerkraut. . . . . . . . . . . . . . . . . . .40
Apple Strudel. . . . . . . . . . . . . . . . .80
Sausage stuffing demonstration
GREEK
Souvlaki (shish kebab) ........ 2.00
Dolmades (stuffed grape leaves)
with Olives, Feta Cheese and a
wedge of Tomato. . . . . . . . . . 1.20
Gyro (ground meat cooked
vertically on a spit) served
with Pita Bread ....... . ... . 1.60
Saganaki (cheese flambee with
brandy and a touch of
lemon) .............. .. .. . . 1.20
Baklava (pastry) .......... .. ... 60
Imoorted Greek Wine. . ....... .80
HUNGARIAN
Kolbasz (Hungarian sausage
with a bun) . .... ... . . ...... 1.00
Taste .. .. .... ..... ...... ... . 20
Gulyas (goulash). . . . . . . . . . . . . 1.00
Taste ...... ... ... . .. . . ...... 20
Szalami-Sajt Tanyer with Fekete
Kenyer (Salami and cheese plate
with dark bread).. . ........ .80
Retes (strudel) ..... ...... ~ ..... 80
Palacsinta fcreoes)... .... .... .60
11EIUcon't.
ICE CREAM
Large Cone.............. . ... .80
Small Cone. . . . .. . .. . . . ..... . .60
INDIA-ASIA
Vegetarian Somasas
(potato pie) . ................ . 40
Non-Vegetarian Somasas
(meat pie] ........ ..... .... . . 60
Shami-Kabab (meat patty on
flat bread]. . . . . . . . . . . . . . . . . .80
Pokoras (fried dough
with chutney ...... . . . ....... 40
Chat (spiced vegetables) . . .. .... 40
IRISH
Irish Stew.... . .. .. . . ....... 1.60
Irish Boxty
(potato pancake]. .......... .40
Soda Bread. . . . . . . . . . . . . . . . . . .20
Fruit Scones. . . . . . . . . . . . . . . . . .40
Taste of Boxty . ................ 20
Taste of Stew ... . .... ... .... .. . 60
ITALIAN
Cheese Pizza. . . . . . . . . . . . . . . . . .60
Taste ... ... .. .. ...... . ...... 20
Meatball Sandwich ...... . .. . 1.00
Il Buon Manjiare (special Italian
sandwich). . . . . . . . . . . . . . . . 1.00
Taste . . . .. .. .. . . ...... .... . . 20
Italian Green Olives .. .. . . ..... .40
Cappucino. . . . . . . . . . . . . . . . . . . .80
Cassata (frozen cake & ice cream
, roll] ..... . ..... . .......... .. 80
Spumoni Ice Cream. . . . . . . . . . . .60
Cannoli (rolled pastry filled
with fruit and nuts] .... . ... 1.00
Italian Cheesecake. . . . . . . . . . . .80
Italian Cheesecake with
topping . .... .. .. .. .. . . .... 1.00
JAPANESE
Yakitori [marinated chicken or beef
on skewers) .. ...... . . .... ..... 80
Teriyaki (marinated chicken
drumstick, thigh or wing)
. . . . . . . . . . . . . . . . . . . . . .40 and .80
Fried Wonton 1 for .20 and 3 for .60
Steamed Rice. . . . . . . . . . . . . . . . .20
Demonstration of Yakitori, Teriyaki
and Won ton cooking
JEWISH
Falafel.............. . ..... . 1.40
Machshi (ground beef &
eggplant). . . . . . . . . . . . . . . . . 1.40
Bagels with Lox and
Cream Cheese .. . ..... ... .. 1.40
Mandelbroit [cookie] ...... . .... 20
Ma 'Amoul (date stuffed pastry] .20
Honey Cake. . . . . . . . . . . . . . . . . . .40
Plain Bagel. . . . . . . . . . . . . . . . . . .40
Noodle Kugel (noodles with fruit).60
continued on page 26
25
I I
I
I
1\
11110 con't.
KOREAN
Kochi-Bulgoki (shish kebab) .. . 1.20
Mandoo (egg roll) . .. . ..... .. . 1.00
LEBANESE
Kibbe (Lebanese meat loaf) .. . . 60
Mihshee Malfoof
(cabbage rolls) ..... . . .. 3 for .60
Lahem Mishwee (shish kebab) 1.80
Taboole (garden wheat salad) ... 60
Sambuski (pecan filled pastry). .60
Macaroon (pastry) . . ... . ....... 20
Baklava ....... ..... ... . .... . . 60
Hrestilous (almond cookie). . . . . .40
Namoora (date bar) ............ 60
Mint Tea ...... . .. .. .... .... . . .40
MILKING
Ice Cream Cone. . . . . . . . . . . . . . .40
Milk... ..................... .40
MEXICAN MARKET
Gordita con Carne Picada. . . . . .80
Gordita con Frijoles ........... . 80
Gordita con Mantequilla. .. ... .60
Carne Guisada Taco
(flour tortilla).. . . . . . . . . . . . . .60
Enchiladas. . . . . . . . . . . . . 2 for 1.00
Taco de Barbacoa con Guacamole
.. . ....................... .. 1.00
Fajita Taco con Guacamole. . . 1.00
Crispy Beef Taco. . . . . . . . . . . . . .60
26
Chimichangas (marinated beef
in flour tortilla deep fat fried)
.......... .. ............... . 1.20
Taste..................... .20
Chalupa .. .................. .. 40
Taco de Carne Asada (flour
tortilla with sauce) ......... 1.00
Frijoles Borrachos ........ .. ... 40
Bunuelos . ..................... 40
Flautas de Guajolote
........... . . 1 for .40 or 3 for 1.00
Tamales .. . .. 1 for .20 or 5 for 1.00
Roving Candy & Pastry Cart
.. ........ ....... ..... 20, .40, .60
Nachos .. ... ................ .. 60
Quesadillas. . . . . . . . . . . . . . . . . . .80
PAKISTANI
Vegetarian Curry with rice
or Chapati Bread. . . . . . . . . . 1.20
Taste..................... .20
Non-Vegetarian Curry with rice
or Chapati Bread .......... 1.40
Taste ....... . .... .. ......... 40
Fruit Bean Chat (fruits served with
garbanzos and a spicy dressing)
.............................. 80
Taste ....................... 20
Shikanjabin (lemon-lime drink)
....... .............. .. 20 and .40
POLISH
Polska Szynka (Polish ham
sandwhich). . . . . . . . . . . . . . . 1.20
Polish Sausage Sandwich ..... 1.20
Bigos (Hunter's Stew). . . . . . . . 1.00
Placki (potato pancakes) .. 2 for .60
Gofry (waffle with jam & whipped
cream) ............ . .... . .. .. 60
POULTRY
Boiled Eggs. . . . . . . . . . . . . . . . . . .20
RUMANIAN
Rumanian Meatball Sandwich 1.20
Rumanian Meatballs ........ .. .40
Pui Pe-gratar (chicken with
spices). . . . . . . . . . . . . . . . . . . 1. 20
Shish Kebab................ 1.60
Rumanian Pilaf. ............... 60
Dracula's Cocktail (wine cooler) .80
SCANDINAVIAN
Varm Korv (Scandinavian Hot dog)
............. ............... 1.00
Taste ..... ................ . . 20
Saft (fruit drink). . . . . . . . . . . . . . .40
SCOTTISH
Fish and Chips (fish and fried
potatoes ........... ....... 1.40
Shortbread (crisp cookies). . . . . . 20
Chips (fried potatoes) ........... 60
Forfer Bridies. . . . . . . . . . . . . . . . .40
Tablet [Scottish candy) .. ....... 20
Demonstration of oven scones
(sweet biscuit) and shortbread
continued on page 29 --
You
and Frost Bank.
Together,
we can do just
about anything.
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PO. Box 1600 • 100 West Houston St. San Antonio, Texas 78296 • Member FDIC
27
-
28
Discover La Quinta hospitality
Seven San Antonio Inns to serve you
Downtown
1001 E. Commerce St.
(At 1-37)
La Quinta Restaurant and
Cantina Lounge
512-222-9181
Airport East
333 N.E. Loop410
El Comedor Restaurant and
Cantina Lounge
512-828-0781
Airport West
219 N.E. Loop410
512-342-4291
Vance .Jackson
5922 Northwest Expressway
(1-1 O)
La Quinta Cantina Lounge
512-734-7931
TUrtle Creek
9542 1-1 0 West at Wurzbach
512-690-8810
South
7202 S. Pan Am Expressway
(I-35S)
512-922-2111
Lackland
6511 Military Drive West
(At Hwy. 90W)
512-674-3200
LA QUINTA
TOLL FREE RESERVATIONS
800-531·5900
From Texas: 800-292-5200
In San Antonio: 349-4141
WELCOME TO THE 1979
OTHER LA QUINTA
MOTOR INNS, INC.
PROPERTIES
Rodeway Inn-Downtown
900 N. Main Ave.
512-223-2951
Rode way
Inn-Wonderland
6804 Northwest Expressway
(1-1 O)
512-734-7111
COMFORTABLE ROOMS AT
COMFORTABLE PRICES PLUS
ALL THE CONVENIENCES
TEXAS FOLKLIFE FESTIVAL
FROM
PAT MONFREY
AND
THE ENTIRE MONFREY DISTRIBUTING CO. FAMILY
AND ITS FINE LINE OF PRODUCTS
FALSTAFF BEER • PABST BLUE RIBBON • PABST EXTRA LIGHT
HOFBRAU STELLA ARTOIS · FOSTER LAGER
CORONA CERVEZA • MODELO CERVEZA • MODELO NEGRA CERVEZA
MONFREY DISTRIBUTING CO.
201 g SOUTH ALAMO STREET
512/222-2111
MBIU con't.
SOUL FOOD
Soul Sausage with crackers,
pickles, onions and one-eyed
devil sauce ............... . 1.40
Taste of sausage ............... 60
Hoecakes with sorghum
molasses or giblet onion gravy .40
Hopping John (black-eyed peas
and rice with savory sauce) .. .40
SPANISH
Tacos de carne (meat tacos) ... 1.00
Corn on the Cob .............. . . 60
King Alfonso Soup. . . . . . . . . . . . .60
Paella ........................ 80
Sangria ....................... 60
SWEDISH
Swedish Meat Ball Plate ...... 1.00
Cookies ....................... 40
Homemade Rye Bread (loaf). . . 1.00
Sweet Roll ..................... 40
SWISS
Quiche Lorraine
(cheese pie). . . . . . . . . .40 and .80
Bratwurst on Roll ............ 1.20
Wurstwegge (meat turnover) .. 1.00
Swiss Chocolate Cake. . . . . . . . . .40
Apple Streussel. ............... 40
Demonstration of Swiss Fondue
WENDISH
Bowl of Noodles ........ 20 and .80
Koch Kase on Kimmelbrot (black
bread and cheese) ........... 20
Noodle making demonstration
YAMBOREE
Yam Pie ...................... 40
Taste..................... .20
Snow Cones ................... 40
Pie baking demonstration
YUGOSLAV
Raznjici (Yugoslav sausage) ... 1.20
Yugoslavian wine .............. 60
WEST TEXAS
Chicken Fried Steak Fingers and
Creamy Gravy ....... . ..... 1.40
Taste..................... .40
After you 'vc tried to taste all the Festi­val
has to offer, you can take it home
with you in the form of The Melting
Pot, the newly-published Institute
cookbook featuring ethnic recipes from
across the state.
You will find it for sale at the Infor­mation
kiosks 011 the Festival grounds
and inside the Institute at the store.
The Melting Pot: $9.50 each plus .52 tax
The Menger Hotel and
Motor Inn. Easy walking
distance from the Institute
of Texan Cultures.
You will enjoy the hos­pitality
and history of ttcle
well-known Menger
serving the pub-lic since
1859.
Visit the Patio Room
serving good food at
rea$onable prices. Cock­tails
two-for-ene 5 : 00 to
7:00p.m. Monday through
Friday.
204 Alamo Pla2a.
By the Alamo
San Antonio
29
30
If there is a common meeting
ground for Texas singers it is in
religious music. I don't mean just
any religious music, but the old,
traditional songs of our faith and of
our fathers, the songs that were as
much a part of our raising as the
fire-and-brimstone preachers who
helped nail them down in our
memories. And if there is a particu­larly
traditional place for the
sound of those old songs , it is under
a brush arbor, that harborer of red
wasps and chicken snakes that pro-vided
some relief from the heat of a
tin-roofed church house during the
summer's Sunday sermons and re­vivals,
protracted meetings, and
annual associations. The brush
arbor was also the center of ail-day
singings and dinners on the grounds
and the place where modern gospel
music spent much of its early life.
The music sung under the brush
arbors in the early days of Texas
were songs common to the southern
Anglo-Saxon traditions, tunes
brought over from the Old Country
just a few generations back.
Southern frontier preachers took
popular tunes-the Devil's music­put
religious words to them, and
sent their prayerful songs soaring
to God through the wilderness.
Many of these early religious songs
were collected in 1844 by B. F.
White in a shape-note song book
called Sacred Harp, and "sacred
harp" became the name of one kind
of early religious music and the
ancestor to modern gospel music.
But this fasola music was still a
long way from modern gospel. The
world was harsh for the early
settlers who came through the
wilderness and survival was
difficult, so most of the songs they '~
sang were mournful and in a minor
key and directed the soul 's eye
across to the other side of Jordan
and away from the troubles of this
world.
The religious musical mood
changed toward the end of the
nineteenth century because the
quality of life improved. In the
battle between man and the wilder­ness,
man had just about won, and
his music began to express his joy
in the victory and his optimism
about his life on earth. The tempo
quickened and the mournful sound­ing
minor keys shifted to the more
continued on page 32
31
II
'I
positive majors, and the religious
music began to reflect the popular
musical styles of the Gay Nineties
and the turn of the century. This
new joyous bouncy mood with a
hint of ragtime was the beginnings
of modern gospel music.
Convention gospel music became
a musical fact in East Texas in the
1920's through the publications
and the singing schools established
by the Stamps brothers. It became
big business in Dallas in 1926 with
the foundation of the Stamps-Baxter
Music Company. Regular gospel
singing conventions with aU-day
singing and dinner on the grounds
became traditional Texas gather­ings,
and the gospel sound was
circulated out of East Texas
through the South by radio and by .
the rapid proliferation of imitators
of the Stamps Quartet. Anybody
growing up in Texas in the late
Twenties and Thirties who listened
to radio will remember the Stamps
Quartet's snycopated theme song,
"Give the World a Smile Each
Day."
The evolution of gospel music
since 1926 has been synchronized
with the musical and social move­ments
of these last fifty years.
Gospel music absorbed all the
modern musical sounds at one time
or another-jazz, swing, country
and western, black rhythm and
blues, and modern rock-and it
brought into its fold all the musical
instruments played by pop artists.
It has spread far beyond brush
arbors and its Texas origins, and
has become a popular religious
musical medium for all ethnic
groups, blacks doing more to
integrate it with their musical
sounds than any other group.
Brush arbors are scarce nowa­days,
but the music that spent part
of its childhood under their com­forting
shade is as alive today as
this world's joy and the songs' as­surances
of salvation. Gospel music
continues to give the world a smile
each day. •
Francis E. Abernethy is Secretary­Editor
of the Texas Folklore Society.
32
MEXICAN PROGRAM SCHEDULE
THURSDAY 4 p.m. Mariachi juvenil
Guadalupano
4:30 Compania
5:30 Compania de Baile
de Baile 5 p.m. Mariachi Infantil
6 p.m. Mariachi juvenil de San Antonio
Guadalupano 5:30 Laredo Civic
6:30 Los Flamencos Spanish Ballet
de San Antonio 6 p.m. Los Flamencos
7 p.m. Mariachi Infantil de San Antonio
Guadalupano 7 p.m. Mariachi Infantil
7:30 Guadalupe Center Guadalupano
Folk Dancers 7:30 Guadalupe Center
8 p.m. Mariachi lnfantil Folk Dancers
de San Antonio 8 p.m. Ballet Folklorico
8:30 Mariachi lnfantil de Navarro
Guadalupano 8:30 Mariachi lnfantil
9 p.m. Campania Guadalupano
de Baile 9 p.m. Campania
9:30 Mariachi lnfanlil de Baile
de San Antonio 9:30 Laredo Civic
10 p.m. Los Flamencos Spanish Ballet
de San Antonio 10 p.m. Los Flamencos
FRIDAY de San Antonio
Mariachi juvenil
SATURDAY
1 p.m.
Guadalupano
1:30 Mariachi Infantil 12 noon Guadalupe Center
de San Antonio Folk Dancers
2 p.m. Laredo Civic 12:30 Campania
Spanish Ballet de Baile
2:30 Mariachi juvenil 1 p.m. Laredo Civic
Guadalupano Spanish Ballet
3 p.m. Mariachi Infanlil 1:30 Mariachi Infantil
de San Antonio Guadalupano
3:30 Guadalupe Center 2 p.m. Ballet Maravilloso
Folk Dancers de Taft
Bank
of
San
Antonio
2:30 Guadalupe Center 1 p.m. Ballet Maravilloso
Folk Dancers de Taft
3 p.m. Compania 1:30 Laredo Civic
de Baile Spanish Ballet
3:30 Ballet Folklorico 2 p.m. Conjunto de Ray
del Mar Valero
4 p.m. Mariachi Infantil 2:30 Ballet Folklorico
de San Antonio del Mar
4:30 Los Flamencos 3 p.m. Ballet Hispanico
de San Antonio Fantasia
5 p.m. Laredo Civic 3:30 Mariachi lnfantil
Spanish Ballet de San Antonio
5:30 Ballet Maravilloso 4 p.m. Ballet Maravilloso
de Taft de Taft
6 p.m. Mariachi juvenil 4:30 La Rondalla de
Guadalupano San Patricio
6:30 Ballet Hispanico 5 p.m. Ballet Folklorico
Fantasia del Mar
7 p.m. Ballet Folklorico 5:30 La Rondalla de
de Navarro San Patricio·
7:30 La Rondalla de 6 p.m. Laredo Civic
San Patricio Spanish Ballet
8 p.m. Ballet Folklorico 6:30 Los Flamencos
del Mar de San Antonio
8:30 Ballet Folklorico 7:30 Guadalupe Center
de Navarro Folk Dancers
9 p.m. La Rondalla de 8 p.m. Mariachi juvenil
San Patricio Guadalupano
10 p.m. Los Flamencos 8:30 Campania
de San Antonio de Baile
9 p.m. Ballet Folklorico
de Navarro SUNDAY 9:30 Guadalupe Center
Folk Dancers
10 p.m. Los Flamencos
12 noon Ballet Hispanico de San Antonio
Fantasia
~ 12:30 Mariachi Infanlil
Guadalupano
Banco
de
San
Antonio
33
MEET THE
FESTIVAL
MANAGER
The Texas Folklife Festival is truly
a labor of love for Manager
Claudia Ball. This is her eighth
Fes1ival, third as manager, and she
brings to it as much devotion and
excitement as she brought to the
first.
Her formidable skills as an or­ganizer
will be evident to Festival
visitors. But what you may not see
is the patience and determination
that have won her the respect of
Festival participants and workers
alike. Yet, Claudia is quick to give
credit to the Festival Steering and
Selection Committees.
Festival Manager Claudia Ball with
her ever present companion Berm
Dog, official I. T. C. mascot.
"The Steering Committee 's
guidelines and the Selection Com­mittee's
enforcement of those
guidelines have made my job much
simpler this year," she said.
When she is not re-working the
Festival map, screening
performers or crisscrossing the
state in search of new talent,
Claudia spends her time organizing
special events for The Institute.
Her free time is usually devoted to
hunting trips in central and west
Texas.
"What I love most about the
Festival," she said, "is the feeling
that we're all just one big family.' '•
34
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7115 Blanco, Suite 117
San Antonio, Texas 78216
TEMPORARY SERVICES
35
I lSI DB
TBB JaTITDTB
OP TBI&I CDLTUBBS
The Texas Folk:life Festival is only a
part of the overall educational pro­gram
of The University of Texas
Institute of Texan Cultures at San
Antonio.
The Institute is many things.
Most visibly, it is a magnificent
exhibit floor that tells the story of
Texas through the lives of her
people. In an area roughly the size
of a football field, the Texas experi­ence
is presented with dramatic
lighting, sound effects and multi­media
shows. Divided into ethnic
exhibit areas, The Institute uses
artifacts, old photographs, art and
text to describe the contributions
made by each group. These arti-
', facts and exhibits, many of which
are constantly changing, reflect
new field research and the driving
desire to show all aspects of ethnic
pioneer life in the state.
The exhibit floor also sets the
stage for demonstrations of tradi­tional
crafts and skills and per­formances
of folk music and art by
professional interpreters.
The Institute's professional staff
is supplemented by hundreds of
volunteers who do everything from
answering telephones to producing
holiday skits for visitors. Training
sessions for volunteers are held
each September and January.
These people, from all walks of life,
help spread The Institute's
message by leading tours and
taking traveling shows to civic
groups, study clubs, schools and
nursing homes. They assist in
preparing students for field trips to
The Institute.
They also help present Special
Sundays and Craft Heritage Work­shops.
Special Sundays are free
afternoons of entertainment, food
and fellowship focusing on the con­tributions
of individual ethnic
groups. Craft workshops are held
throughout the year and teach such
folk arts as kite making, weaving
and Indian crafts.
Other special programs include
an innovative film series featuring
a new title each month. The films
focus on the arts, cultural groups
and other topics. Informal concerts
and plays also are a favorite
feature with the fare running from
classical guitar, madrigal singers
and brass bands to productions
staged by high school students.
Two special galleries in The
Institute feature constantly
changing exhibits that can range
from Mexican toys to Texas eccen­trics
to depression-era photo­graphs.
Butthere's more to The Institute
than its exhibit floor. A learning
and communication center for the
interpretation of Texas history,
culture and folklore, The Institute
also produces publications and
books, filmstrips, slide shows,
videotaped productions, traveling
shows and special exhibits in its
quest to tell the state about its
history. It houses a library, a re­search
staff, a production depart­ment,
even cabinet makers who
build the exhibit cases you see.
No matter how many times
you've visited The Institute, there
is always something new to see or
do. So start planning your next trip
now. It's the perfect place to bring
out-of-state visitors or just to spend
the day with family or friends.
For information on current exhi­bits
and events, write: "What's
Happening," The Institute of Texan
Cultures, 801 South Bowie, San
Antonio, Texas 78205.
TAKE A PIECE OF TEXAS HOME
WITH YOU ... Learn more about
Texas and Texans with The Insti­tute's
books, audio visual materials
and research aids. Write for a copy
of the Supplies and Services Cata­logue
or visit The Store on the main
exhibit floor.
37
38
Benefactors of Texas Folklife Festival
In past years, The Institute of
Texan Cultures staff has recog­nized
certain Texans as Special
Benefactors. They were chosen
because of significant contribu­tions
they made to the success of
the Festival. Lifetime passes to the
Festival have been presented to
H.B. Zachry of San Antonio, with­out
whose material support, con­fidence
and enthusiasm, there
would be no Festival; Arnold Griffin
of Devine whose inspiration, work
and leadership have helped create
the pioneer complex on the Back
40; Charles C. Butt of Corpus Christi
and San Antonio who publicizes the
event all over the state; and Cactus
Pryor of Austin, who has become
"the voice" of the Texas Folklife
Festival through all the public ser­vice
announcements, slide shows
and programs he has narrated.
SAN ANTONIO. Major universities. Junior colleges. The University of Texas Health
Science Center. The School of Aerospace Medicine. Southwest Research Institute. The
Witte Museum. The McNay Art Institute, and the famous Institute of Texan Cultures
from HemisFair '68. For all generations, San Antonio is a city of enrichment. NBC
continues to be involved with the educational and cultural activities, as well as business in
San Antonio and throughout South Texas. San Antonio is an investment with great returns
and greater promise. We are involved. That's confidence.
The University of Texas
INSTITUTE OF TEXAN CULTURES
at San Antonio
ADVISORY COUNCIL 1979
National Bank of Commerce
of San Antonio
Member National Bancshares Corporation of Texas II
Mrs. Raye Virginia Allen Frank Connally Mr. and Mrs. Harris L. Kempner Herbert Petry
Washington. D.C. Waco Galveston Carrizo Springs
Joe Belden Bob R. Dorsey John T. King John Ben Shepperd
Dallas Houston Austin Odessa
Mr. and Mrs. Bob Brinkerhoff Leonel Garza, Sr. Tom Lea Mrs. Josephine Sparks
Houston Brownsville El Paso Corpus Christi
Mrs. Janey Briscoe Mrs. Carolyn Henderson Max Mandel Walter Sterling
Uvalde Lufkin Laredo Houston
The Hon. Edward Clark Mrs. Elizabeth S. Hutchinson Mrs. Nancy Negley H. B. (P•IJ Zoohry ~ Austin Washington D.C. San Antonio San Antonio ~
The Hon. John Connally Mrs. Jean Kaspar Vernon L. Neuhaus, Sr.
Houston Shiner Mission
39
LEGEND
1 Yugoslav
2 Cobbler
3 Korean
4 Chili
5 Etcher
6 Filipino
Tinikling Dance School
7 Czech
Bass Box
Dominoes
8 Cuban
9 India-Asia
10 Pakistani
11 Sky Ride
12 British Pub
13 Railroad Spike Drivers
14 Corn Shuckin'
15 Milking
Ice Cream
16 Goose Plucking
Sheepshearing
17 Bee Keepers
18 Poultry
19 Arm Wrasslin'
20 Horseback Rides
21 Wagon Rides
22 Saddler
23 Boot Maker
24 Wheelwright
25 Blacksmiths
26 Sandcasting
27 Glass Blower
28 Bocce
29 Cow and Hog Dogs
30 Horsehair Rope Spinning
31 Old Time String Shop
32 Roof Thatcher
33 Adobe
34 Chuck Wagon
35 Syrup Cooker
36 Rope Maker
37 Cane Mill
38 Storytellers
39 Frio County Peanuts
40 Trapping
'Coon Oil Cookies
41 Treadle Lathe
42 Fishin
43 Gun Engraver
44 Knifesmith
45 Chair Maker
46 Wooden Puzzles
47 Bonnets
48 Corn Shuck Dolls
49 Apple Dolls
50 Rawhide Quirts
51 Balloons
52 Ice Cream
53 Yamboree
54 Frontier Playland
55 Puppets
56 Muzzleloaders
57 Adobe Oven Bread
58 Alsatian
59 Scottish
60 Chicken Fried Steak
61 Butter Churning
Dutch
62 Jewish
SYMBOLS
63 Grist Mill
Hominy
Pickles
Jelly and Preserves
64 Smokehouse
65 Bread Bakers
66 Quilting
67 Spinning & Weaving
68 Drop Spinning & Dyeing
69 Pottery
70 Whittlin'
71 Kites
72 Wooden Toys
73 Whistles & Whips
74 Baskets
75 Chair Caner
76 Net Making
String Guilts
Bead work
77 Schoolhouse
Elocution
Handwriting as a Craft
78 Treenware
79 Wine Making
Tatting
80 Sauerkraut Making
Woodcarver
81 Herbs
82 Candle Making
83 Lye Soap
84 Log House & Kitchen
85 Chimney Maker
86 Axe Men
87 Shingle Splitter
88 Berm Sliding Contest
89 Belgian
90 Alabama- Coushatta
91 Tigua
92 Silk-Screen
93 Quilling
94 Polish Needlework
95 Wycinanki
96 Polish
97 Italian
98 Hungarian
99 Rumanian
100 Chinese
101 Soul Food
102 Swiss
103 Irish
104 Out-of-State Visitors
105 Greek
106 Swedish
107 Scandinavian
108 Norwegian
109 German
Sausage Stuffir.g
110 Japanese
111 Cajun
112 Mexican Market
113 Spanish
114 Lebanese
115 Wendish
Crochet
Noodle Making
116 Stitchery & Dolls
117 Silhouettes
118 Stained Glass
119 Glass Crafting
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